The post Taylor Swift Beats Michael Jackson’s Historic Chart Record appeared on BitcoinEthereumNews.com. Taylor Swift’s “The Fate of Ophelia” spends a second week at No. 1 in America, giving her a record-breaking 38 total weeks atop the Hot 100 — one more than Michael Jackson. SHANGHAI, CHINA – NOVEMBER 10: American singer-songwriter Taylor Swift performs on stage during the gala of 2019 Alibaba 11.11 Global Shopping Festival at Mercedes-Benz Arena on November 10, 2019 in Shanghai, China. (Photo by Zhang Hengwei/China News Service/VCG via Getty Images) VCG via Getty Images For the second week in a row, Taylor Swift claims the biggest song in America as “The Fate of Ophelia” holds atop the ranking of the most consumed tracks in the nation, the Hot 100. “The Fate of Ophelia” debuted at No. 1 last frame at the same time its parent album, The Life of a Showgirl, launched atop the Billboard 200 in spectacular and historic fashion. The single was so big in terms of total consumption when it launched that it’s no shock it remains on top of the Hot 100 for a second frame — and the cut could continue to reign for several more. As the poppy track keeps its position, Swift adds to her ever-expanding total number of weeks spent at No. 1 on the chart, but this frame is special, as it helps her break out of a tie with one of the most successful musicians of all time. Taylor Swift Breaks Her Tie With Michael Jackson Billboard reports that Swift has now spent 38 weeks at No. 1 on the Hot 100 throughout her career. That total is spread out across more than a dozen chart-toppers, all of which have helped increase her overall record. Michael Jackson (Photo by KMazur/WireImage) WireImage With one more turn in charge, Swift breaks out of a tie with Michael Jackson, as… The post Taylor Swift Beats Michael Jackson’s Historic Chart Record appeared on BitcoinEthereumNews.com. Taylor Swift’s “The Fate of Ophelia” spends a second week at No. 1 in America, giving her a record-breaking 38 total weeks atop the Hot 100 — one more than Michael Jackson. SHANGHAI, CHINA – NOVEMBER 10: American singer-songwriter Taylor Swift performs on stage during the gala of 2019 Alibaba 11.11 Global Shopping Festival at Mercedes-Benz Arena on November 10, 2019 in Shanghai, China. (Photo by Zhang Hengwei/China News Service/VCG via Getty Images) VCG via Getty Images For the second week in a row, Taylor Swift claims the biggest song in America as “The Fate of Ophelia” holds atop the ranking of the most consumed tracks in the nation, the Hot 100. “The Fate of Ophelia” debuted at No. 1 last frame at the same time its parent album, The Life of a Showgirl, launched atop the Billboard 200 in spectacular and historic fashion. The single was so big in terms of total consumption when it launched that it’s no shock it remains on top of the Hot 100 for a second frame — and the cut could continue to reign for several more. As the poppy track keeps its position, Swift adds to her ever-expanding total number of weeks spent at No. 1 on the chart, but this frame is special, as it helps her break out of a tie with one of the most successful musicians of all time. Taylor Swift Breaks Her Tie With Michael Jackson Billboard reports that Swift has now spent 38 weeks at No. 1 on the Hot 100 throughout her career. That total is spread out across more than a dozen chart-toppers, all of which have helped increase her overall record. Michael Jackson (Photo by KMazur/WireImage) WireImage With one more turn in charge, Swift breaks out of a tie with Michael Jackson, as…

Taylor Swift Beats Michael Jackson’s Historic Chart Record

2025/10/27 22:47

Taylor Swift’s “The Fate of Ophelia” spends a second week at No. 1 in America, giving her a record-breaking 38 total weeks atop the Hot 100 — one more than Michael Jackson. SHANGHAI, CHINA – NOVEMBER 10: American singer-songwriter Taylor Swift performs on stage during the gala of 2019 Alibaba 11.11 Global Shopping Festival at Mercedes-Benz Arena on November 10, 2019 in Shanghai, China. (Photo by Zhang Hengwei/China News Service/VCG via Getty Images)

VCG via Getty Images

For the second week in a row, Taylor Swift claims the biggest song in America as “The Fate of Ophelia” holds atop the ranking of the most consumed tracks in the nation, the Hot 100. “The Fate of Ophelia” debuted at No. 1 last frame at the same time its parent album, The Life of a Showgirl, launched atop the Billboard 200 in spectacular and historic fashion.

The single was so big in terms of total consumption when it launched that it’s no shock it remains on top of the Hot 100 for a second frame — and the cut could continue to reign for several more. As the poppy track keeps its position, Swift adds to her ever-expanding total number of weeks spent at No. 1 on the chart, but this frame is special, as it helps her break out of a tie with one of the most successful musicians of all time.

Taylor Swift Breaks Her Tie With Michael Jackson

Billboard reports that Swift has now spent 38 weeks at No. 1 on the Hot 100 throughout her career. That total is spread out across more than a dozen chart-toppers, all of which have helped increase her overall record.

Michael Jackson (Photo by KMazur/WireImage)

WireImage

With one more turn in charge, Swift breaks out of a tie with Michael Jackson, as just days ago the two were matched with 37 stints in first place apiece.

What Are Taylor Swift’s No. 1s on the Hot 100?

“The Fate of Ophelia” earned Swift her thirteenth No. 1 on the Hot 100. She tied Jackson when the smash debuted, and the two are also on the same level as Drake. All three musicians jointly claim the fifth-most leaders of all time.

Swift has conquered the Hot 100 with all of the following singles, ranked from most weeks at No. 1 to fewest:

  • “Anti-Hero”
  • “Blank Space”
  • “Cruel Summer”
  • “Shake It Off”
  • “Look What You Made Me Do”
  • “We Are Never Ever Getting Back Together”
  • “The Fate of Ophelia”
  • “Fortnight” with Post Malone
  • “Is It Over Now? (Taylor’s Version) (From the Vault)”
  • “All Too Well (Taylor’s Version)”
  • “Willow”
  • “Cardigan”
  • “Bad Blood” with Kendrick Lamar

Taylor Swift May Soon Beat Bruno Mars

Sitting just one week ahead of Swift on the ranking of artists with the most time ruling the Hot 100 is Bruno Mars. The crooner added to his total earlier this year alongside Lady Gaga, as “Die With a Smile” controlled the tally for several frames across multiple stints.

If “The Fate of Ophelia” can remain exactly where it is for at least one more period — which seems likely — Swift will match Mars. Her latest single has a good shot at helping her push past him to become one of only a handful of musical acts to lead for 40 frames or more.

Who Claims the Most Weeks at No. 1 on the Hot 100?

Mariah Carey remains in a distant first place on the list of artists with the most weeks at No. 1 in the history of the Hot 100. The chanteuse is nearing 100 frames at the summit and may become the first artist with triple-digit turns ahead of every other star if her holiday classic “All I Want for Christmas Is You” regains control of the Hot 100 later this year. That’s a highly likely fate, since it has happened in each of the past several years.

LOS ANGELES, CALIFORNIA – MARCH 17: (FOR EDITORIAL USE ONLY) Mariah Carey accepts the iHeartRadio Icon Award onstage at the 2025 iHeartRadio Music Awards at Dolby Theatre in Los Angeles, California on March 17, 2025. Broadcasted live on FOX. (Photo by Kevin Winter/Getty Images for iHeartRadio)

Getty Images for iHeartRadio

Rihanna comes next with 60 weeks at No. 1, followed by The Beatles, Drake, Boyz II Men, Usher, and Beyoncé, with 59, 56, 50, 47, and 46 stays atop the Hot 100, respectively.

Michael Jackson Vs. The Jackson 5

It’s worth noting that, according to Billboard, Jackson’s 37 weeks at No. 1 on the Hot 100 do not include any of the songs he released as part of The Jackson 5, the group that propelled him to superstardom at a very young age. The sibling act managed 10 frames at No. 1. If both of those totals are combined, then Jackson is still far ahead of Swift and, in fact, tied with Usher for the same total.

Source: https://www.forbes.com/sites/hughmcintyre/2025/10/27/taylor-swift-beats-michael-jacksons-historic-chart-record/

Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact service@support.mexc.com for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.
Share Insights

You May Also Like

Pavel's humanity, and Ton's challenges

Pavel's humanity, and Ton's challenges

I really like what Pavel mentioned about not using a mobile phone. Essentially, this is an "information fasting" approach to the challenges of information overload, contrasting with the "food fasting" that everyone loves using apps. One is metaphysical, the other is physical, but ultimately, both affect the mind and body, influencing hormones like cortisol. Now and in the future, attention is the scarcest resource. Being able to freely disconnect from electronic devices is a luxury, a freedom with its own barriers. Pavel is also an extreme craftsman. The advantage of being a craftsman is that you can lead a small team to create a killer app. However, the limitation is that Telegram, as the largest instant messaging software outside of China and the US, cannot become another Tencent platform. This same culture has also influenced its Web3 project, TON. By the way, let me talk about my close observation of TON over the past four years as the first Chinese institutional investor in the world. 1. The wrong technological path was taken. TON's stubborn insistence on using C++ seems like a kind of technological purist obsession. Historically, Russians have repeatedly taken the wrong turn on the "data technology tree": the Soviet Union failed to adapt to the transistor revolution, became obsessed with vacuum tube performance optimization, and missed the entire chip wave. They often overemphasize performance and control, but neglect the ecosystem and development experience. TON's SDK, toolchain, and documentation ecosystem lack standardization, making the development threshold too high; this is not a syntax problem, but a problem of lacking platform thinking. 2. Uneven ecological composition. Currently, it's basically only Russians and Chinese who are active, but resource allocation is clearly biased towards the Russian-speaking region. This is something everyone is already familiar with. 3. Oligopoly. Funding, traffic, and narrative resources within the ecosystem are concentrated on a few "top" companies/projects. Everyone knows they must curry favor with the "top" teams, but mid-tier projects are severely squeezed out. There is also a long-term power struggle between foundations and the oligopolistic "top" companies, resulting in constant internal friction. 4. Failure to accept oneself. Accepting and reconciling with oneself is crucial for any individual or organization. Only on this basis can you face yourself honestly and leverage your strengths while mitigating your weaknesses. However, TON seems obsessed with pitching to Musk, persuading American investors, and getting to the White House. The truth is, no matter how hard it tries, in the eyes of others, TON remains a public chain with a Russian background. In contrast, BNB didn't try to play the "American" role. Instead, it first became the most popular chain in the Eastern Time Zone, simultaneously creating a sense of FOMO (Fear of Missing Out) among Westerners, before smoothly expanding internationally—a much more effective approach. 5. The story of "adoption for 1 billion users" has been told for four years, and it's still just a story. Pavel keeps telling a grand story of "connecting Telegram's 1 billion users with the blockchain world," but this story has yet to truly materialize. The reason isn't that the vision is false, but rather structural constraints: In order to survive and ensure Pavel's personal safety (in recent years, Pavel has become increasingly obsessed with his physical safety, given several incidents, including the recent events in France), Telegram must maintain a "superficial" separation from TON to avoid crossing regulatory red lines; this separation prevents TON from ever truly integrating with Telegram's ecosystem. Even stablecoins like USDE have maintained a supply of only a few hundred million—indicating that the story is grand, but the reality is small. TON possesses the perfectionism of engineering geeks, yet lacks the warmth of ecological collaboration; it has a massive entry point, but is hampered by regulatory realities; it has its own advantages, but has not yet reconciled with itself. It has a narrative and ideals, but these need to be transformed into a sustainable balance of systems and incentives. I wish the TON ecosystem will continue to improve.
Share
PANews2025/10/30 14:00